As some of you may know, I love incorporating vintage bits and pieces into my bridalwear and accessories for my label “something old…something new” and often encourage brides to bring their Mums wedding dress, veil or pieces of vintage jewellery in to make their own dress or accessory completely personal, unique and ethical. I was honoured to be asked to write a blog post for the online ethical directory Blue Patch on this and you can read it here
So I’ve now been open for over a year and I still love my little shop and have managed to pay the rent each quarter! What I have realised is that it’s not enough just to sit there and wait for people to come in. It is a quiet area and there isn’t that much footfall so I still have to work hard to get ourselves known. My milliner Gemma Sangwine has been a real support and has stuck with me and I have made new creative friends along the way.
I have met some lovely brides for whom I am now creating their dream wedding dress. For these I’m now collaborating with another textile designer Polly Jones. We make a dream team as she loves the pattern cutting and making up while I love all the embellishment and fine details. It’s such an honour to be trusted with the task of making someone’s dream come true for their special day but we all love this challenge and like nothing better than all working together to make sure everything co-ordinates. I’ve even found a Spanish artisan shoe maker to collaborate with to make bespoke hand embroidered and handmade shoes. I’m waiting to receive our very first pair any day now!
Gemma and I have also joined Blue Patch, a brilliant ethical directory as we like to think that everything we make is also ethical. As I call my label “something old…something new” and we both love taking old and preloved components to make something new and exciting this seems appropriate and hopefully they can help us promote our work. I’ve also joined Kate Beavis’ Indie PR Hub to help with all the social media and PR that’s so important for any small creative business. The problem is, there are never enough hours in the day to fit it all in!
Other plans include more workshops and Polly Jones is using the basement to set up a textile/dressmaking workshop space. This area also has to double up as a studio for pop up photo shoots with my two dear photographer friends Su Larkins and Danniella Jaine. Danniella also offers modelling packages where aspiring models can have a professional photo shoot, hair and make up with styling by me – the perfect, completely safe way to obtain amazing images for their portfolio.
We also host vintage tea parties and held an amazing one to celebrate our first anniversary and the publication of Danniella’s photo shoot “Time for Changelings” in the American Faerie magazine, quite an accomplishment! Eight people sat down to a “Midsummer Nights Dream” inspired full afternoon tea served on my collection of vintage china and served by two of my favourite models dressed as fairies! We were also entertained in the evening by Danniella reading some of the poems she had written to accompany her images.
In May we are hosting two special “Textiles, Tea and Tales” events with storytelling by Chloe from “Midnight Storytellers” and a talk about my collection of vintage clothes entitled “Mrs Butcher’s Wardrobe” so watch this space for more exciting news about the second year at “Atelier 19”!
Well, I’ve finally managed to open my atelier/showroom in Cheltenham. Some of you may know that I’ve been trying to do this for around 15 years or even longer (I recently found something I’d written when I was 9 saying all I wanted to do when I grew up was open my own shop and make clothes for people!). So, maybe I’m grown up enough now and it’s finally my time to do what I want with my life!I’ve been looking for the right premises since moving to Cheltenham and I finally found one at 19 Suffolk Road that gives me everything I need in my favourite location known as The Suffolks. It’s always been my favourite part of Cheltenham as it’s full of quirky shops and galleries, so very artisan and bohemian. The added bonus is that everyone is really friendly and supportive and work together to raise awareness of the area.
Eventually everything was sorted and I got the keys on September 30th. I decided I wanted to open on October 15th so managed to completely redecorate the space and set everything up in just two very hectic weeks! The other designers involved all helped set up and Anthony Lewis Churchill was brilliant adding the final touches and doing the window display (it helped that he used to design windows for Harrods and Fortnum and Mason)!
The amazing haberdashery unit that I came by when I was a teenager when my Dad refurbished a shop in Ross-on-Wye (the old Vines) finally came inti it’s own and looks like it’s been there for years. Behind it is a small selection of original vintage wedding dresses and a beautiful Victorian veil with the original wax flower headdress. To the left is a range of cute flower girl dresses by BE by Little Wings made from vintage fabric and antique christening dresses.
We eventually managed to fill the whole space with all our work, the French antique brocante finds I’d been amassing and handmade goodies from other friends and designers whose work I really admire. Basically, the whole space is filled with things I love so a bit self indulgent but it seems to work and everyone seems to love it too!
On the day of the gala opening, we had the Mayor of Cheltenham pulling the ribbon to officially open the shop as well as a visit from Michael and Clare Morpurgo. All my friends and family came along including a surprise visit from my eldest son and his new wife which was really ” the icing on the cake”! We also served mini cakes made by my lovely daughter with Prisecco, elderflower and tea.
It’s been a week now since we opened and the response has been brilliant although it’s still a bit quiet. We’ve already taken two orders for jackets/coats so all very promising. Can’t wait for our first bride to find us so we can design and make everything for the whole wedding!
A while ago I did another brilliant photo shoot with Danniella Jaine. We wanted to do a very floral shoot (right up my street!) and asked the florist Charlotte Elizabeth to be part of it as well as hair stylist Jo Vallender and mua Ruth Hancox. My very favourite model and muse Olivia Harriet agreed to model for us again. When Danniella arrived at our flat, we quickly decided that an old disused greenhouse in the garden would be the perfect location so emptied it of all the rubbish and filled it with the amazing flowers Charlotte had brought with her as well as the beautiful floral garlands and this was the result – my very favourite shoot to date! It was published in Fae magazine which was great – hope you like it!
While Danniella Jaine was in Cheltenham we did another photo shoot, namely the white Queen and Alice through the Looking Glass. We were hoping to use the churchyard in Painswick as the location but the weather was against us so we used Vallender Salon as Jo Vallender was doing the hair. We had two models, Olivia Harriet Smith and Sammy Lee-Smith. Our make up artist was Victoria Jones. The images were amazing and both shoots were featured in different issues of Dreamingless Magazine.
The next exciting project while we were staying in Cheltenham was a mixed exhibition curated by yours truly at the Art Couture Gallery in Painswick. The idea stemmed from an amazing photo shoot I’d done with the photographer Danniella Jaine for her final degree project. Her idea was to take each character from Alice in Wonderland to represent one of the 7 deadly sins. The shoot took us three days with 7 models but we didn’t manage to get them published so I decided it would make a good foundation for an Alice inspired exhibition with the images on the walls and each of the outfits displayed on mannequins in the gallery. I had met the ceramic artist Claire Baker whist doing my MA at Bath Spa and knew that her ceramics would be perfect to set the scene for a Mad Hatter’s Tea Party. I also asked the milliner Lisa Jayne to provide crowns and hats that we’d used in the shoot. Whilst I was planning this extravaganza I came across Anthony Lewis Churchill who amongst other things has set up a children’s charity and makes incredible children’s clothes also inspired by Alice in Wonderland. Another textile artist I’d met at Bath Spa, Susan Sutton, also provided some lovely whimsical creatures which added a further edge of fantasy. The exhibition looked amazing but as Painswick is a bit off the beaten track, the number of visitors and buyers was a bit disappointing. The whole experience was lovely though and I proved to myself that I could curate an interesting exhibition.
Another step in the right direction for our big move started last October. We had a few lets at Cedars House so rented a cottage in our favourite part of Cheltenham, the Suffolks for a month. I needed a hair cut and colour so went to Vallender Salon simply because I liked the look of it. I got talking to the owner Jo Vallender and it seemed we had a lot in common, including a passion for Marie Antoinette. I told her that I was looking for a studio/showroom in the area and she showed me an upstairs room which was empty. While I was still there, someone from the Wilson Gallery came in with details of a window display competition to tie in with an exhibition about the icon Audrey Hepburn. The brief was to do a window display inspired by another icon so we immediately decided to collaborate on a “Marie Antoinette” window as I already had an outfit and Jo could make a Marie Antoinette wig. I already had photographer Su Larkins and designer Anthony Lewis Churchill (who just so happened to have designed window displays for Harrods and Fortnum and Mason!) coming to talk about my upcoming Alice in Wonderland inspired exhibition so we tied it in with a live photo shoot in the salon window.
While we were in Edinburgh (the exhibition was on for the whole month of August) we thought it would also be lovely to get lots more creative people on board and as Liz had lots of artistic friends, we had a constant stream of poets, musicians and storytellers taking part in our extravaganza and even did two live stage performances on the street. Apparently, we were the first ever gallery show to be given a live stage slot! For my part, I organised a live photo shoot with an amazing photographer Juliette Litchmann from “Somnolent Images”. We had two models dressed and made up when two press photographers turned up. They both took a few images and said that they would be submitting them to the national press so they might appear in the paper the following day. I thought “yeah, whatever!” and didn’t give it another thought until the following morning my son saw on Twitter that one of my outfits was featured in the Telegraph! Juliette also took some beautiful images under not too ideal circumstances.
I had a busy Summer last year including taking part in an amazing mixed exhibition at the Edinburgh Festival. It all came about when I met the incredible ceramic artist Liz Watts in a gallery in Bradford-on-Avon. As soon as I saw her work I just knew we had to exhibit together somehow. We kept in touch until the time was right and decided to go for it! Luckily for me, Liz had many contacts in Edinburgh already including the EDS gallery who very kindly offered us a space in the gallery to put our crazy idea together. We decided that as our work was already slightly “over the top” we would call it “Unexpected Excesses” and set the whole thing up as a “Bohemian Banquet”.
My clever husband has just created a brand new website for me which shows what I do so much better than my old one. One more step in the right direction! Check out the website here.